Awsten: “One thing I really remember is Waterparks played this festival in 2016 when we first started properly touring – I’m not gonna say which one (laughs) – and I was looking around, talking to Otto [Wood, drums] like, ‘Yo, every motherfucker here looks exactly the same. This is terrible. Let’s just agree right now that we’re never gonna dress like any of this!’ And when we were maybe almost done recording our first album [Double Dare], I wanted to make sure we weren’t listening to what was around us. It can be subconscious that you take in a lot of what your surroundings are, and it was really important to be like, ‘Okay, I’m not absorbing what I’m hearing right now.’ No shade to anyone, and there are exceptions to everything, but sometimes things in that world can get so repetitive and so monotonous, and just so unremarkable, that you have to keep yourself in check and make sure you’re not accidentally taking in shit!”
De’Wayne: “I agree with all of that, Awsten. I feel like for me, it started early on in Houston – I just came out being a little to the left or right of what everyone was doing, and that was even before music. I was always trying to figure out what worked for me. I realised that I was going to have to come to LA to make something of myself, and I don’t mean to say that to sound cliché, but I knew that at, like, 17. So then when I did that, I wasn’t trying to be different from anyone; I was just being myself, and that was it. I grew up with church music, and with soul music, and with hip-hop, and then for the past five years I went to the school of songwriting, and learning songs that nobody else showed me – I just went and studied them. And now this is what’s coming out, and if people like it that’s fucking cool, but I’m just myself.”
Awsten: “That’s exactly right – you are so fucking right. When people are like, ‘How do you make a song?’ It’s like, ‘Dude, literally the answers are right there – you can open up your Spotify and click on anything, and the answer is there.’ Being quiet and paying attention for a second gives you everything you need to know about songwriting.”
De’Wayne: “I just got my situation to where I’m on a label now – I’m under MDDN with Awsten and Waterparks – and I had to watch for the longest time, and that really has helped me. I thought I was ready at 19, and I was not. But I got to be quiet and watch, see other people get really good, and I was like, ‘When is my time?’ I got to rehearse, and practice, and do my push-ups for the last five years so that I could be like, ‘Now I can knock somebody out through my music.’ I’m a nerd when it comes to expressing myself, and I keep Kurt Cobain’s diary around and I’m always reading books on staying in a meditative state, and I’m always writing and eventually the songs come.”
Awsten: “Musically I never really get stuck, but vocally and lyrically I’m really picky. I’ve been getting a bit stuck on that lately, and I think that just comes from wanting to say something new and I’m not just harping on past shit, or making a less good version of something we’ve already done.”