He’s done so with the help of Andrew Watt, whose recent work with Ozzy illustrates the producer’s adeptness with fanning the flames of legends, alongside a trusted stable of luminaries including Duff McKagan, Chad Smith and, bittersweetly, Taylor Hawkins. The results find Iggy being more wrinkled and violent than shrinking violet, playfully recalling his tenure with The Stooges, with the man who famously called himself ‘a street-walking cheetah with a heart full of napalm’ now reminds us, via opening track Frenzy, that he has ‘a dick and two balls, that’s more than you all’.
This isn’t a full-blown punk rock regression, though – it’s a more refined and diverse set than that. Strung Out Johnny finds Iggy nimbly surfing New Wave; the superb New Atlantis flirts with folk; Morning Show treads a line between a ballad and a hymn. As ever, these songs arrive festooned with grizzled poetry, some of which tackles the topics of the day. Comments explores the toxicity of fame and the blight of online trolls with oddball panache, as Iggy recommends you ‘Sell your stock in Zuckerberg and run / Buy a passport to the end of fun’.
Every Loser is superb. But more importantly it encapsulates Iggy’s essence, not by reframing for a modern audience or pandering to trends, but drawing out the timeless qualities of its author: his anger, his sense of wonder and romance, and his downright strangeness. You’d be hard-pressed to find an album catering for more moods in 2023. Live in it – it’s a hell of a place to be.
Rating: 4/5
For fans of: David Bowie, Queens Of The Stone Age, Foo Fighters
Every Loser is out now via Gold Tooth / Atlantic