Not least among these was becoming the first British band invited to Foo Fighters’ Studio 606 in Los Angeles, where they made their debut EP, 2016’s God Save The Teen, under the watchful eye and dutiful ear of Chris Shiflett. “He was very down to earth and enthusiastic,” says Bobby of the Foos’ guitarist. “We’d listen back and he’d be air drumming like mad.”
While it’s straightforward explaining where Strange Bones – completed by drummer Nathan Sanderson – came from, it’s harder to establish where they’re heading, even for their chief songwriter. “I’ve never been able to answer that question,” offers Bobby. “As soon as I started writing stuff for Strange Bones, I didn’t have somewhere I wanted to be, musically, even though I knew there was a somewhere. I didn’t want to know where that was, though, because everything until right now has been an experiment to reach these sonic characteristics.”
Those characteristics coalesced earlier this year on EP Blitz Part 2: a scabrous shot of rave punk owing as much to The Prodigy as The Cramps. “It’s about no surrender,” Bobby says of the EP’s industry-bashing highlight, Underdog. “We’re not going to be ants with anteaters around us. If you fuck about, we’ll bite you!”
Thankfully, Strange Bones’ sharper edges remain un-blunted by the outbreak of coronavirus. “I feel we’re sleepwalking through this whole thing,” is Bobby’s take on the state of the nation during this “weird” time. “Whether we’ll wake up or not I don’t know.”