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Reviews

Album review: Bob Vylan – Bob Vylan Presents The Price Of Life

Uncompromisingly vicious call to revolution by brilliant London grime-punk-noise duo Bob Vylan…

Music

Inside Cold Years’ Goodbye To Misery: “We finally wrote the record we wanted and needed to write”

Following excellent 2020 debut Paradise, Cold Years have broken free from the “constraints” of punk rock with glorious second album Goodbye To Misery. And with dream tour slots also on the horizon, everything is falling into place…

Reviews

Album review: Greyhaven – This Bright And Beautiful World

Misnamed third album from Kentucky progressive post-hardcore outfit Greyhaven explores humanity’s bleakest aspects…

The Cover Story

HEALTH: “We always thought we were making music for a post-Skynet landscape”

Through corruption, climate change, coronavirus and corporate greed, life in the 2020s is edging toward the kind of dystopian future we see in movies. Providing the soundtrack to the end of the world are Cali cult heroes HEALTH, who have called on some friends to bask in our existential dread…

Reviews

The big review: PUP – The Unraveling Of PUPTHEBAND

Canadian punks PUP take issue with themselves on fourth record The Unraveling Of PUPTHEBAND – and win!

Features

Chuck Ragan: My life in 10 songs

Hot Water Music frontman Chuck Ragan talks family, survival, brotherhood and “crummy homemade tattoos” as he looks back over almost 30 years of punk rock brilliance.

The Cover Story

Drug Church: “I don’t think I’m pessimistic at all, I think I’m actually almost foolishly optimistic”

Is an artist really who we think they are, or are we merely projecting our own ideas onto imperfect creators? It’s something Drug Church frontman Patrick Kindlon reckons with regularly, and ahead of new album Hygiene, he explores in-depth just why we need to find and maintain space between art and artist.

Features

Chris Carrabba: My life in 10 songs

Dashboard Confessional visionary Chris Carrabba reflects on the 10 songs that symbolise the ever-changing landscape of his creativity…

Features

Neck Deep: “We’re proud of where we’ve come from and how we’ve got here – we’ve never rested on our laurels”

Wrexham? It almost killed ’em. On a £250 budget flight to Florida, Neck Deep broke out of their Welsh hometown and found a place for themselves in the States. Now, having sold pop-punk back to America and become mates with blink-182, they’re about to return home for their biggest tour to date. Ben Barlow and Matt West recall their rise across the pond…

The Cover Story

Ho99o9: “No-one sounds like us. No-one will ever be us”

Since forming 10 years ago, the diabolical duo of Yeti Bones and theOGM have only done things their way, marking Ho99o9 out as genuine alternatives to the mainstream. Feared and respected in equal measure, we sit down with the two rap-punks to find out what they’re really all about…

Reviews

The big review: Underøath – Voyeurist

Underøath rage on ambitious, epic ninth full-length Voyeurist…

Features

The Kerrang! staff’s top albums of 2021

There have been plenty of absolutely incredible albums released in 2021. Here are all the records that have rocked our individual years…

Features

The 50 best albums of 2021

It’s here: the Kerrang! verdict on the 50 albums that shaped 2021…

Reviews

Album review: Of Mice & Men – Echo

California metalcore merchants Of Mice & Men offer something old, something new, and something very unexpected on final, composite part of EP trilogy…

The Cover Story

Static Dress: “This genre has so much to be explored, but no-one wants to do it because everyone’s too scared of not being cool for 10 minutes”

In a world where so many artists are afraid to stray from the norm, Static Dress stand as one of the most inventive and inspiring acts in the burgeoning new wave of post-hardcore, unafraid to push what it means to be a band. Dive into the Technicolor rabbit hole...

Features

25 Years Of Vagrant Records: The label that accidentally took emo to the mainstream

From a family-funded Get Up Kids album to becoming a lynchpin of 2000s emo, we look back on Vagrant Records’ reluctant rise…

Back Next

Search results for “mischa pearlman”

Album review: Bob Vylan – Bob Vylan Presents The Price Of Life

Inside Cold Years’ Goodbye To Misery: “We finally wrote the record we wanted and needed to write”

Album review: Greyhaven – This Bright And Beautiful World

HEALTH: “We always thought we were making music for a post-Skynet landscape”

The big review: PUP – The Unraveling Of PUPTHEBAND

Chuck Ragan: My life in 10 songs

Drug Church: “I don’t think I’m pessimistic at all, I think I’m actually almost foolishly optimistic”

Chris Carrabba: My life in 10 songs

Neck Deep: “We’re proud of where we’ve come from and how we’ve got here – we’ve never rested on our laurels”

Ho99o9: “No-one sounds like us. No-one will ever be us”

The big review: Underøath – Voyeurist

The Kerrang! staff’s top albums of 2021

The 50 best albums of 2021

Album review: Of Mice & Men – Echo

Static Dress: “This genre has so much to be explored, but no-one wants to do it because everyone’s too scared of not being cool for 10 minutes”

25 Years Of Vagrant Records: The label that accidentally took emo to the mainstream

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