Alex: “This whole thing kind of happened out of the blue. We’d never really linked up before, or met, apart from in passing. When we wrote PMA I felt like it would be cool as a duet with a female vocal on it, and I had one of those moments where I was like, ‘I can't think of somebody I'd rather have than Heather.’ She has such a unique and cool voice – it's so recognisable, and that's what really drew me into Pale Waves in the first place. Luckily, Heather was down for it.”
Heather: “As soon as Alex sent me the song I was like, ‘Wow, this is amazing!’ It's so relatable, and instantly I just knew how good it was. So I immediately agreed to be on the track. It was a case of, ‘Get me down to the studio now!’”
Alex: “Everything was still sort of locked down when we started with this, so we had to meet virtually, jump on a Zoom and shoot the shit about music we were into. It's nice that when we actually recorded Heather on the song it was the first time we met in person – it was cool to come together to finish the track. It was a long build-up – waiting until we were vaccinated and everything – to get the song to where it is now.”
Heather: “It was really exciting hearing the song and being in the room with them because I’ve been a fan for so long. It was awesome that I, coming from a small town in northern England, could be in LA, doing a song with All Time Low. The whole experience was great.”
Alex: “The fact that we got to do it in real-time made it more exciting. It's different when you send a track off to somebody and go like, ‘Okay, do what you think sounds good and send it back.’ That’s fun in its own way – it's a bit like Christmas, unwrapping a new present – but it was really cool to actually be able to sit there in the room and vibe it out and talk through things, especially given everything that has been going on in the world. Seeing how much character Heather brought to the song, we were witnessing it levelling-up in front of our very eyes. That was a great part of the process.”