Read this: Metallica answer your questions – from St. Anger and horror movies to jazz and The Black Album
To many, he was a villain in the movie, standing there in his weird sweaters, stoking an unproductive David Brent vibe in the studio, trying to get into the creative process, and seemingly wanting the whole thing to never end. This would be unfair (well, except the sweaters: they’re paying you enough, mate, get some new duds), a product of the film’s edit. Now Lars has credited Phil with actually doing the job he was there to do.
"It was a difficult time with Phil,” he told Phoebe Bridgers during their chat for Rolling Stone’s Musicians On Musicians series. “And as easy a target as he is to make fun of, whenever I get asked about it now, I find myself defending him. He did save the fucking band. I think you and I wouldn’t be sitting here talking to each other if it wasn’t for him.
"It was a very transitional, experimental time," he added. "We’d been a band for 20 years, and we realised we never had a fucking conversation about how we’re feeling, what being in Metallica is doing to everybody. It was just this fucking machine. And then Hetfield had to go away and deal with some of his issues, and then that opened up this whole thing."
So there you have it: Phil Towle, good at saving metal bands, bad with sweaters.