You’ve been prolific between this and Salem.
“But the funny thing is, I was worried. We had never done anything like this in the past, constantly churning out material, because it felt like that's what the industry was demanding of bands for a while. I remember how everyone was having to put out single after single, every single week, forever. And I always thought that that would diminish the quality of what you're doing. But the cool thing about this was, I'd written these songs years ago, so I had these bankers ready to go. There was a little bit of fixing them up and putting them together, but not too much. It was really fun as well because the title, American Noir, was originally the working title for Sex, Death And The Infinite Void. So I finally got to use my original title!”
And does it join up with the narrative from that album?
“Well, the last story ended with the character of Roe dying, and Annabelle holding him as he passes away. So there’s a lot of little things everywhere here. It's kind of like when David Lynch did Fire, Walk With Me – tying up some loose ends and finishing this kind of apocalyptic romance in a really dramatic fashion.”
The artwork is pretty impressive. What was the idea there?
“We worked with a photographer called Harris Newcomb. Obviously the way things look are really important to our band, and I think the way things work have a massive impact on whether some of us can take seriously some of the stupid ideas we're trying to make you take seriously. It’s like professional wrestling: if you look at it objectively it's very silly, but if you can suspend your disbelief for a second you'll see what they’re trying to do and enjoy it. It’s sort of a tribute to that Batman comic, where he’s holding dead Robin in the flag. I really liked Harris and he had a lot of really good ideas. One shot he did of me, he covered me in white paint, but when I got in the shower, it wasn’t [coming off]. I was covered in white paint. I had to give myself a sponge wash to get as much as I could off, then get on the London Underground with white paint in my ears.”