After surviving the hardest year of his life, the dawning of 2019 offered Jonathan Davis a chance at salvation. Little did anyone know that it would also yield Korn’s finest material of the decade…
How did you approach 2019, Jonathan?
“I was ready for 2018 to be over and done with. It was the worst year of my fucking life [following the passing of his wife, Deven, in August]. I was looking at 2019 to start over. Fuck everything that’s ever happened to me, I’m gonna look forward, keep pushing on and really start to get everything, with Korn and me personally, going in a good direction.”
You started the year working on Korn’s 13th album, The Nothing…
“I just wanted to get in the studio. Music has always been my saviour, my church, my everything. I was dealing with so much bad stuff, and this was how I vented. The band had delivered a lot of great music that I was really into, so I was excited [to get working on it]. We were doing it all with a new management team, a whole new crew, too, so it felt good. But at the same time, it was sad, as there were a lot of emotions going on at that time – and also a little frustrating, because everyone was overthinking a lot. That’s when I got frustrated… and told everyone to fuck off (laughs)!”
What was being overthought?
“Everyone was so passionate about the project and worried about how I was going to do my vocals. When the music’s done, then it’s my turn. Usually when we do records, I get screwed at the end, because tours get booked and shit, so the band has a year or two to write the music, and I only have a small window to do what I need to do! But this time I wanted to take my time; I didn’t want any pressure. Everybody was like, ‘Uh oh, we don’t know about this!’ So I locked myself in the studio with my engineer and I told everybody, ‘When it’s done, it’s done.’ It was good. I actually had the time to sit and do what I wanted to do. I think the last time I got to do that was back when we did Untouchables in the early 2000s.”