Death can make or break you, because it sets everything in stone. Any chance you ever had of being better or showing them all is gone. And if you did things (mostly) right, well, that’s your heaven – in the eyes of those who remember you, your sins are forgiven.
When death puts a period at the end of our sentences, we become statements. But because our lives are usually jumbled, pointless messes, we want our deaths to mean something, so we can be like Jesus, or Steve Jobs, or Kurt Cobain. But when I stop to actually think about it, that just sounds like another fancy party for which I have to squeeze into a bad suit. That’s already so much of life as a metalhead: putting on a Normal Person costume and pretending we don’t just want to talk about Vlad the Impaler. But death is a moment of honesty, the only time where you have literally nothing left to lose, and it’s foolish to waste that on giving a shit about the world at large.
I mean, yeah, look: metal’s laughable. It’s a lifestyle that involves humourless Swedes in facepaint, bands selling socks with their logo on them, and blog posts ranking codpieces. But if there’s anything sillier than heavy metal, it’s adult life and our concepts of maturity. The way people cling to ideas like redoing their kitchen or getting laid on their anniversary – as though we’re not all just greasy cartoon characters scared of being alone – is a far bigger joke than any picture of Immortal without their shirts on.
When I die, it’ll be in a metal shirt – and maybe my Exhumed hoodie, and maybe even my battle jacket. And though that’s never been how I imagined my death, I’m happy that I’ll go out that way. When all is said and done, heavy metal helped shape the person I am, and I’m proud of that. If I’m lucky, and my brain isn’t yet entirely flooded with DMT, my last words will be, “Death to false metal," and I’ll go out giving credence to something bigger than myself.
Then I’ll be dead. And there’s nothing more metal than that.
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