The movie also features the music of fictional metallers Dream Widow. Is thrash an itch you’ve been wanting to scratch creatively?
“I discovered underground thrash the same time I discovered punk rock music, so 1982/83. I fell in love with both genres because of the energy of the music, the intensity of the music. When I was a teenager I was really into Venom, Slayer, Metallica, Exodus, Mercyful Fate and all of those bands from that era. I’ve always loved that type of music. Even a newer thrash band like Power Trip, I love those bands. But I’ve never been in a thrash metal band, I’ve always played in hardcore bands, punk rock bands or rock’n’roll bands. Years ago, in 2000, I made a record called Probot where I had all of these legendary vocalists sing over instrumentals I recorded, and I ticked off all of my favourites – Max from Sepultura, Lemmy, Cronos from Venom, Eric from Trouble, Kurt from DRI, King Diamond, Tom G Warrior… My love of that type of music is pretty well documented but I don’t practice it with Foo Fighters, so it was my idea to make this Dream Widow record and, of course, because it’s a horror film I wanted to scratch that thrash metal itch. But you’ll hear it, so I don’t want to give [too much] away.”
Away from horror, Studio 666 also draws on those classic rock movies from the ’60s, ’70s and ’80s, which bands don’t really make anymore. Do you think that’s a symptom of artists taking themselves too seriously nowadays?
“I don’t know why it is, but obviously we don’t have that problem! As we were making the film, we talked about sequels, nothing serious but playing around with silly ideas to continue ‘the franchise’ – a phrase that we laugh about. And we were trying to imagine what other bands would be up for that type of project and unfortunately it’s hard to think of many, mostly because you really have to let your guard down and show everybody your true dork (laughs). You have to let go of the cool factor and do it for entertainment’s sake. When we make our albums and play our gigs, we take that very seriously, and beyond anything that’s the foundation of this band – that’s why we’re here. Everything else is just icing on the cake. I always loved seeing a band bounce to another medium and do something unexpected, and hopefully this gets the foot in the door so other bands can maybe feel the same and do something as ridiculous as this. At the end of the day I think most bands would love to entertain their audience even more, but it’s easy for me to say because I’m in the Foo Fighters and that’s our intention.”
Studio 666 is released in cinemas on February 25.