While these aren’t wholly acoustic reinterpretations, they certainly dial back their source material drastically. Take opener Argyle. On 1996’s second record, Maniacal Laughter, it’s a charmingly sloppy, jittery, breakneck fast punk rock song propelled by the reckless innocence of youth. Here, however, it’s all near-soothing guitars and crashing drums that make it almost unrecognisable from its original incarnation. Hopeless Romantic – originally a blistering rush of unguarded, reckless feeling – feels more jaded here, a little bit sadder, a little more hopeless. Even songs that were already wistful double up on the melancholy – as if Kids And Heroes wasn’t already pained enough in the first place, here it’s positively heartbreaking.